{"product_id":"alternative-processing-cyanotype","title":"Alternative Processing: Cyanotype","description":"\u003cp\u003eDiscover the tactile magic of cyanotype and take it well beyond basic blue prints. In this intensive six-hour masterclass, students learn how to mix raw chemical solutions from scratch, coat fine art papers, arrange compositions, and expose prints using sunlight or UV units. In the afternoon, students dive into experimental toning using botanical tea baths, coffee, and soda ash to transform classic Prussian blues into rich sepias, deep aubergines, and charcoal blacks. Each participant leaves with a collection of portfolio-ready prints and a deep understanding of alternative printing processes.\u003c\/p\u003e\n\n\u003ch2\u003eCourse Logistics\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDuration:\u003c\/strong\u003e 1 day (6 hours total, 10:00 AM – 4:00 PM with a 45-minute lunch break)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eClass Size:\u003c\/strong\u003e 8 students minimum \/ 12 students maximum\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTarget Audience:\u003c\/strong\u003e Beginner to intermediate creators interested in alternative photography and printmaking.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWorkshop Schedule (6 Hours)\u003c\/h2\u003e\n\n\u003ch3\u003eMorning Session: Chemistry, Composition \u0026amp; Coating\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003e10:00 AM – 10:45 AM | Guided Chemical Mixing \u0026amp; Safety:\u003c\/strong\u003e Welcome, studio orientation, and historical overview of cyanotype. Guided group exercise weighing and mixing Part A (Ferric Ammonium Citrate) and Part B (Potassium Ferricyanide) from raw powders under instructor supervision. Safety protocols, light handling, and paper selection guidelines.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e10:45 AM – 11:30 AM | Composition \u0026amp; Negative Preparation:\u003c\/strong\u003e Arranging botanical specimens, lace, stencils, and three-dimensional objects. Integrating student-provided pre-printed negatives and pre-ordered UAC add-on transparencies. Principles of contrast, exposure density, and visual balance.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e11:30 AM – 12:30 PM | Paper Coating \u0026amp; Darkroom Prep:\u003c\/strong\u003e Demonstrating coating techniques using foam and hake brushes on various watercolour stocks. Students coat 4–6 fine art paper sheets and place them in the dark drying area with fan support.\u003c\/li\u003e\n  \u003cli\u003e\u003cstrong\u003e12:30 PM – 1:15 PM | Lunch Break\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eAfternoon Session: Exposure, Toning \u0026amp; Experiments\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003e1:15 PM – 1:45 PM | Exposure Test Strips \u0026amp; Calibration:\u003c\/strong\u003e Conducting step-wedge exposure tests to determine ideal exposure times. Calibrating exposures for both artificial UV units and ambient sunlight.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e1:45 PM – 2:30 PM | Main Exposure, Washing \u0026amp; Oxidation:\u003c\/strong\u003e Exposing final prints and executing proper water-rinsing cycles. Using a dilute hydrogen peroxide bath for instant oxidation and maximum colour depth.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e2:30 PM – 3:30 PM | Toning \u0026amp; Wet-on-Wet Techniques:\u003c\/strong\u003e Bleaching and toning using sodium carbonate baths followed by green tea, black tea, coffee, or tannic acid to alter print hues. Applying vinegar, turmeric, salt, or soap bubbles directly to wet coated paper for organic textures.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e3:30 PM – 4:00 PM | Print Flattening, Critique \u0026amp; Wrap-Up:\u003c\/strong\u003e Drying and flattening prints using blotters and presses. Group feedback session, care instructions, and pack-up in rigid mailers.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat We Provide\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eChemistry \u0026amp; Toning Solutions:\u003c\/strong\u003e Raw cyanotype powders, scales, mixing containers, tray baths, hydrogen peroxide, soda ash, green tea, black tea, coffee grounds, and tannic acid.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCoating \u0026amp; Exposure Tools:\u003c\/strong\u003e Hake and foam brushes, UV exposure units, paper cutters, and drying racks.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTakeaway \u0026amp; Packaging Supplies:\u003c\/strong\u003e Fine art watercolour paper, blotters\/presses for flattening, and rigid mailers for safe transport.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat To Bring \u0026amp; Requirements\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eObjects \u0026amp; Negatives:\u003c\/strong\u003e Botanical items, lace, stencils, flat\/3D objects, or pre-printed digital negatives brought from home.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eApparel:\u003c\/strong\u003e An apron or work shirt you don't mind getting stained.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOptional UAC Pre-Printing Add-On:\u003c\/strong\u003e Transparency printing service is available at web checkout for $10–$15 per file (image files must be submitted at least 48 hours prior to the workshop).\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eEvent Details\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDates:\u003c\/strong\u003e To be announced\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e 1 single session (6 hours: 10:00 AM – 4:00 PM)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eLocation:\u003c\/strong\u003e Urban Art Collective Art Hub, 50 Bayswater Avenue, Ottawa\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInstructor:\u003c\/strong\u003e To be announced\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eLevel:\u003c\/strong\u003e Beginner to Intermediate\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMaximum Capacity:\u003c\/strong\u003e 12 attendees\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMinimum Enrolment:\u003c\/strong\u003e 8 attendees required\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Urban Art Collective","offers":[{"title":"Default Title","offer_id":43242789011665,"sku":null,"price":245.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0594\/9711\/9953\/files\/UACLearnLogowebsquare.jpg?v=1786112009","url":"https:\/\/urbanartcollective.ca\/products\/alternative-processing-cyanotype","provider":"Urban Art Collective","version":"1.0","type":"link"}