{"title":"Printmaking, Zines \u0026 Book Arts","description":null,"products":[{"product_id":"digital-to-physical-fine-art-printing","title":"Digital to Physical - Fine Art Printing","description":"\u003cp\u003eReady to stop hiding your best photos behind screens and pixels? It is time to bring your digital work into the physical world and turn your images into finished, gallery-ready prints. In this hands-on workshop, we skip the dry theory and guide you step-by-step through the complete printmaking workflow. \u003c\/p\u003e\n\u003cp\u003eYou will learn file prep, soft proofing, and custom colour profiling, while testing premium stocks like textured cotton rag and heavy baryta. Bridge the gap between screen and paper in one night, and walk away with finished work you are proud to display and share.\u003c\/p\u003e\n\u003ch2\u003eCourse Rundown\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eClass 1: First Press (4 Hours)\u003cbr\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eTired of sitting through hours of computer theory before actually making anything?  On night one, we skip the long lectures and jump straight into file prep, press operation, and making a large-format print right out of the gate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYou will walk out of your very first session holding a finished, physical print in your hands.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClass 2: True Colour (4 Hours)\u003cbr\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eEver wonder why what you see on your monitor rarely matches what comes off the printer? In this session, you put your Class 1 print under daylight-balanced lighting\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eright next to your screen to see where things shifted, then learn how soft proofing and paper profiles fix those gaps.\u003c\/p\u003e\n\u003cp\u003eYou will test out different fine art papers, from cotton rag to heavy baryta, so you can stop guessing and take total control over your final colours.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClass 3: Surface \u0026amp; Texture (4 Hours)\u003cbr\u003e\u003c\/strong\u003eReady to move past basic testing and print your best work yet? Working across our dedicated print stations, you will run test strips, dial in output sharpening, and lock in shadow detail on premium archival stock.\u003c\/p\u003e\n\u003cp\u003eSpend the session in full production mode, making exhibition-ready master prints with direct support every step of the way.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClass 4: The Final Touch (4 Hours)\u003cbr\u003e\u003c\/strong\u003eHow do you turn a raw print into a gallery-ready piece? You will learn practical finishing skills like precision trimming, hand-deckling edges, and numbering limited runs.\u003c\/p\u003e\n\u003cp\u003eTo wrap things up, you will trade work with your cohort in the UAC Print. Exchange and head home with a boxed portfolio containing signed prints from everyone in the class.\u003c\/p\u003e\n\u003ch4\u003e\u003cem\u003e\u003cstrong\u003eBy The End Of This Course, You Will:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/h4\u003e\n\u003col\u003e\n\u003cli\u003eUnderstand the complete workflow from digital file to gallery-ready print.\u003c\/li\u003e\n\u003cli\u003eKnow how to prepare and optimize image files for professional printing.\u003c\/li\u003e\n\u003cli\u003eUse soft proofing and colour profiles to achieve more accurate, predictable results.\u003c\/li\u003e\n\u003cli\u003eUnderstand how paper choice affects colour, contrast, detail, and texture.\u003c\/li\u003e\n\u003cli\u003eGain hands-on experience with premium cotton rag and baryta papers.\u003c\/li\u003e\n\u003cli\u003eLearn to create test strips, refine sharpening, and preserve shadow detail.\u003c\/li\u003e\n\u003cli\u003eConfidently operate professional printing equipment.\u003c\/li\u003e\n\u003cli\u003eFinish your prints using precision trimming, signing, and edition numbering.\u003c\/li\u003e\n\u003cli\u003eLeave with your own finished fine-art prints \u003c\/li\u003e\n\u003cli\u003eGain a repeatable process you can use for future exhibitions, portfolios, gifts, and print sales.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch4 class=\"p1\"\u003e\u003cem\u003e\u003cstrong\u003eFormat: The Weekly Series \u003c\/strong\u003e\u003c\/em\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli class=\"p2\"\u003e\n\u003cstrong\u003eLaptop \u0026amp; Charger: \u003c\/strong\u003eBring your personal laptop with your preferred editing software (Photoshop, Lightroom, etc.) installed for file prep and soft proofing.\u003c\/li\u003e\n\u003cli class=\"p2\"\u003e\n\u003cstrong\u003eImage Files: \u003c\/strong\u003eHave 3 to 5 high-resolution files (RAW, TIFF, or high-res JPEG) pre-loaded on your machine or a USB drive.\u003c\/li\u003e\n\u003cli class=\"p2\"\u003e\n\u003cstrong\u003eAll Materials Provided:\u003c\/strong\u003e Fine art paper stocks (cotton rag, baryta, etc.), printing ink, finishing tools, and portfolio boxes are fully included.\u003c\/li\u003e\n\u003cli class=\"p2\"\u003e\n\u003cstrong\u003eFormat \u0026amp; Capacity: \u003c\/strong\u003eFour weekly sessions capped at 12 participants to ensure plenty of individual press time each week.\u003c\/li\u003e\n\u003cli class=\"p2\"\u003e\n\u003cstrong\u003eMinimum \u003cmeta charset=\"utf-8\"\u003eCapacity:\u003c\/strong\u003e 6 students enrolled to run the course.  \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCourse Details\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eDates:\u003c\/strong\u003e To be announced\u003cbr\u003e\u003cstrong\u003eFormat: \u003c\/strong\u003e4 weekly sessions · 16 hours\u003cbr\u003e\u003cstrong\u003eLocation:\u003c\/strong\u003e Urban Art Collective Art Hub, 50 Bayswater Avenue, Ottawa\u003cbr\u003e\u003cstrong\u003eInstructor:\u003c\/strong\u003e Trevor Pearson\u003cbr\u003e\u003cstrong\u003eLevel:\u003c\/strong\u003e Introductory\u003cbr\u003e\u003cstrong\u003eMaximum Capacity: \u003c\/strong\u003e12 students\u003cbr\u003e\u003cstrong\u003eMinimum Enrolment:\u003c\/strong\u003e 6 students required\u003c\/p\u003e","brand":"Trevor Pearson","offers":[{"title":"Default Title","offer_id":43202584314065,"sku":null,"price":495.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0594\/9711\/9953\/files\/Digital-To-Physical-4Weeks.jpg?v=1785424601"},{"product_id":"digital-to-physical-fine-art-printing-intensive","title":"Digital to Physical - Fine Art Printing (Intensive)","description":"\u003cp\u003eReady to stop hiding your best photos behind screens and pixels? It is time to bring your digital work into the physical world and turn your images into finished, gallery-ready prints. In this hands-on workshop, we skip the dry theory and guide you step-by-step through the complete digital printmaking workflow. \u003c\/p\u003e\n\u003cp\u003eYou will learn file prep, soft proofing, and custom colour profiling, while testing premium stocks like textured cotton rag and heavy baryta. Bridge the gap between screen and paper, and walk away with finished work you are proud to display and share.\u003c\/p\u003e\n\u003ch2\u003eWorkshop Rundown\u003c\/h2\u003e\n\u003ch3\u003e\u003cem\u003eFormat: Single-Evening Intensive 4 Hours\u003c\/em\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eHour 1: First Press \u003cbr\u003e\u003c\/strong\u003eWant to jump straight onto the equipment without sitting through a long lecture? We start the evening by opening your digital file, getting you comfortable operating the press, and running a raw baseline print right out of the gate. You will build instant confidence on the gear and get a physical print in your hands within your first sixty minutes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHour 2: True Colour\u003cbr\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eEver wonder why what you see on your monitor rarely matches what comes off the printer? Put your Hour 1 print under daylight-balanced lighting right next to your screen to see where things shifted, then learn how soft proofing and paper profiles fix those gaps. You will test out different sample papers—from cotton rag to heavy baryta—so you can stop guessing on settings and take total control over your final output.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHour 3: Surface \u0026amp; Texture\u003cbr\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eReady to dial in your adjustments and print your best work yet? Working across our dedicated print stations, you will run test strips, fine-tune output sharpening, and lock in shadow detail on premium archival paper. Spend dedicated time in full production mode making finished prints with direct, hands-on guidance every step of the way. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHour 4: The Final Touch\u003cbr\u003e\u003c\/strong\u003eHow do you turn a raw print into a gallery-ready piece? You will learn practical finishing skills like precision trimming, hand-deckling edges, and numbering limited runs. To wrap things up, you will trade work with your cohort in the UAC Print \u003c\/p\u003e\n\u003cp\u003eExchange and head home with a boxed portfolio containing signed prints from everyone in the class.\u003c\/p\u003e\n\u003ch4\u003e\u003cem\u003eBy The End Of This Workshop, You Will:\u003c\/em\u003e\u003c\/h4\u003e\n\u003col\u003e\n\u003cli\u003eUnderstand the essential workflow from digital file to finished print.\u003c\/li\u003e\n\u003cli\u003eLearn how to prepare and optimize an image for professional printing.\u003c\/li\u003e\n\u003cli\u003eUse soft proofing and paper profiles to achieve more accurate colour.\u003c\/li\u003e\n\u003cli\u003eExplore how cotton rag, baryta, and other papers affect the look of your image.\u003c\/li\u003e\n\u003cli\u003eGain hands-on experience using professional printing equipment.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLeave with finished fine-art prints and a practical workflow you can use for future projects.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch4 class=\"p1\"\u003e\u003cem\u003e\u003cstrong\u003eWorkshop Details\u003c\/strong\u003e\u003c\/em\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli class=\"p2\"\u003e\n\u003cstrong\u003eLaptop \u0026amp; Charger: \u003c\/strong\u003eBring your personal laptop with your preferred editing software (Photoshop, Lightroom, Affinity, etc.) installed for live soft proofing.\u003c\/li\u003e\n\u003cli class=\"p2\"\u003e\n\u003cstrong\u003eImage Files:\u003c\/strong\u003e Have 2 to 3 high-resolution files (RAW, TIFF, or high-res JPEG) pre-loaded on your machine or a USB drive.\u003c\/li\u003e\n\u003cli class=\"p2\"\u003e\n\u003cstrong\u003eAll Materials Provided:\u003c\/strong\u003e Fine art paper stocks (cotton rag, baryta, etc.), printing ink, finishing tools, and portfolio boxes are fully included.\u003c\/li\u003e\n\u003cli class=\"p2\"\u003e\n\u003cstrong\u003eIntensive Format: \u003c\/strong\u003eCapped at 6 to 8 participants for a focused, 4-hour session to ensure plenty of individual printer time.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWorkshop Details\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eDates: \u003c\/strong\u003eTo be announced\u003cbr\u003e\u003cstrong\u003eFormat: \u003c\/strong\u003e1 intensive session · 4 hours\u003cbr\u003e\u003cstrong\u003eLocation:\u003c\/strong\u003e Urban Art Collective Art Hub, 50 Bayswater Avenue, Ottawa\u003cbr\u003e\u003cstrong\u003eInstructor: \u003c\/strong\u003eTrevor Pearson\u003cbr\u003e\u003cstrong\u003eLevel: \u003c\/strong\u003eIntroductory\u003cbr\u003e\u003cstrong\u003eMaximum Capacity:\u003c\/strong\u003e 10 students\u003cbr\u003e\u003cstrong\u003eMinimum Enrolment: \u003c\/strong\u003e6 students required\u003c\/p\u003e","brand":"Trevor Pearson","offers":[{"title":"Default Title","offer_id":43206069846225,"sku":null,"price":225.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0594\/9711\/9953\/files\/Digital-To-Physical-4Hour.jpg?v=1785426099"},{"product_id":"alternative-processing-cyanotype","title":"Alternative Processing: Cyanotype","description":"\u003cp\u003eDiscover the tactile magic of cyanotype and take it well beyond basic blue prints. In this intensive six-hour masterclass, students learn how to mix raw chemical solutions from scratch, coat fine art papers, arrange compositions, and expose prints using sunlight or UV units. In the afternoon, students dive into experimental toning using botanical tea baths, coffee, and soda ash to transform classic Prussian blues into rich sepias, deep aubergines, and charcoal blacks. Each participant leaves with a collection of portfolio-ready prints and a deep understanding of alternative printing processes.\u003c\/p\u003e\n\n\u003ch2\u003eCourse Logistics\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDuration:\u003c\/strong\u003e 1 day (6 hours total, 10:00 AM – 4:00 PM with a 45-minute lunch break)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eClass Size:\u003c\/strong\u003e 8 students minimum \/ 12 students maximum\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTarget Audience:\u003c\/strong\u003e Beginner to intermediate creators interested in alternative photography and printmaking.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWorkshop Schedule (6 Hours)\u003c\/h2\u003e\n\n\u003ch3\u003eMorning Session: Chemistry, Composition \u0026amp; Coating\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003e10:00 AM – 10:45 AM | Guided Chemical Mixing \u0026amp; Safety:\u003c\/strong\u003e Welcome, studio orientation, and historical overview of cyanotype. Guided group exercise weighing and mixing Part A (Ferric Ammonium Citrate) and Part B (Potassium Ferricyanide) from raw powders under instructor supervision. Safety protocols, light handling, and paper selection guidelines.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e10:45 AM – 11:30 AM | Composition \u0026amp; Negative Preparation:\u003c\/strong\u003e Arranging botanical specimens, lace, stencils, and three-dimensional objects. Integrating student-provided pre-printed negatives and pre-ordered UAC add-on transparencies. Principles of contrast, exposure density, and visual balance.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e11:30 AM – 12:30 PM | Paper Coating \u0026amp; Darkroom Prep:\u003c\/strong\u003e Demonstrating coating techniques using foam and hake brushes on various watercolour stocks. Students coat 4–6 fine art paper sheets and place them in the dark drying area with fan support.\u003c\/li\u003e\n  \u003cli\u003e\u003cstrong\u003e12:30 PM – 1:15 PM | Lunch Break\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eAfternoon Session: Exposure, Toning \u0026amp; Experiments\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003e1:15 PM – 1:45 PM | Exposure Test Strips \u0026amp; Calibration:\u003c\/strong\u003e Conducting step-wedge exposure tests to determine ideal exposure times. Calibrating exposures for both artificial UV units and ambient sunlight.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e1:45 PM – 2:30 PM | Main Exposure, Washing \u0026amp; Oxidation:\u003c\/strong\u003e Exposing final prints and executing proper water-rinsing cycles. Using a dilute hydrogen peroxide bath for instant oxidation and maximum colour depth.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e2:30 PM – 3:30 PM | Toning \u0026amp; Wet-on-Wet Techniques:\u003c\/strong\u003e Bleaching and toning using sodium carbonate baths followed by green tea, black tea, coffee, or tannic acid to alter print hues. Applying vinegar, turmeric, salt, or soap bubbles directly to wet coated paper for organic textures.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e3:30 PM – 4:00 PM | Print Flattening, Critique \u0026amp; Wrap-Up:\u003c\/strong\u003e Drying and flattening prints using blotters and presses. Group feedback session, care instructions, and pack-up in rigid mailers.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat We Provide\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eChemistry \u0026amp; Toning Solutions:\u003c\/strong\u003e Raw cyanotype powders, scales, mixing containers, tray baths, hydrogen peroxide, soda ash, green tea, black tea, coffee grounds, and tannic acid.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCoating \u0026amp; Exposure Tools:\u003c\/strong\u003e Hake and foam brushes, UV exposure units, paper cutters, and drying racks.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTakeaway \u0026amp; Packaging Supplies:\u003c\/strong\u003e Fine art watercolour paper, blotters\/presses for flattening, and rigid mailers for safe transport.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat To Bring \u0026amp; Requirements\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eObjects \u0026amp; Negatives:\u003c\/strong\u003e Botanical items, lace, stencils, flat\/3D objects, or pre-printed digital negatives brought from home.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eApparel:\u003c\/strong\u003e An apron or work shirt you don't mind getting stained.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOptional UAC Pre-Printing Add-On:\u003c\/strong\u003e Transparency printing service is available at web checkout for $10–$15 per file (image files must be submitted at least 48 hours prior to the workshop).\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eEvent Details\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDates:\u003c\/strong\u003e To be announced\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e 1 single session (6 hours: 10:00 AM – 4:00 PM)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eLocation:\u003c\/strong\u003e Urban Art Collective Art Hub, 50 Bayswater Avenue, Ottawa\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInstructor:\u003c\/strong\u003e To be announced\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eLevel:\u003c\/strong\u003e Beginner to Intermediate\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMaximum Capacity:\u003c\/strong\u003e 12 attendees\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMinimum Enrolment:\u003c\/strong\u003e 8 attendees required\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Urban Art Collective","offers":[{"title":"Default Title","offer_id":43242789011665,"sku":null,"price":245.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0594\/9711\/9953\/files\/UACLearnLogowebsquare.jpg?v=1786112009"},{"product_id":"from-frame-to-page-crafting-zines-and-art-books","title":"From Frame to Page: Crafting Zines and Art Books","description":"\u003cp\u003eA multimedia approach to building a tangible body of work. Taking advantage of the UAC print shop, this course guides students through selecting, sequencing, and designing a small book or zine. It gives students the freedom to mix mediums and build a narrative utilising a blend of visual elements, moving beyond traditional photography constraints.\u003c\/p\u003e\n\n\u003ch2\u003eSkills Covered\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003eSequencing a cohesive visual narrative across multiple printed pages.\u003c\/li\u003e\n  \u003cli\u003eIntegrating various artistic motifs, mediums, and elements to convey a feeling.\u003c\/li\u003e\n  \u003cli\u003eFoundational layout, pacing, and design principles for print production.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat We Provide\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePrint Shop Access:\u003c\/strong\u003e Urban Art Collective print shop facilities, sample paper stocks, binding tools, and printing equipment.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat To Bring \u0026amp; Requirements\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eVisual Assets:\u003c\/strong\u003e A fluid selection of visual assets (digital images, scanned artwork, text, or sketches).\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHardware:\u003c\/strong\u003e A laptop or tablet for layout and file preparation.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eEvent Details\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDates:\u003c\/strong\u003e To be announced\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e To be announced\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eLocation:\u003c\/strong\u003e Urban Art Collective Art Hub, 50 Bayswater Avenue, Ottawa\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInstructor:\u003c\/strong\u003e Tanitoluwa Olorunyomi\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eLevel \u0026amp; Audience:\u003c\/strong\u003e All Levels (photographers, illustrators, and visual artists assembling physical zines).\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMaximum Capacity:\u003c\/strong\u003e 12 attendees\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMinimum Enrolment:\u003c\/strong\u003e 6 attendees required\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tani Olorunyomi","offers":[{"title":"Default Title","offer_id":43242852778193,"sku":null,"price":185.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0594\/9711\/9953\/files\/UACLearnLogowebsquare.jpg?v=1786112009"},{"product_id":"intro-to-screen-printing-posters-totes","title":"Carve \u0026 Print: How-To One-Colour Linocut","description":"\u003cp\u003eDiscover the tactile art of relief printing in this hands-on, four-hour workshop. Guided by artist Kess Gregory, owner of \u003ca href=\"https:\/\/www.doomandgloomdesign.com\/about\"\u003eDoom and Gloom\u003c\/a\u003e, you will learn how to turn a drawing into a custom carved linocut block print. Explore where linocut comes from and the tools involved, sketch or transfer your design onto a linoleum block, and master safe carving techniques using various gouges. Finish by inking your block, pulling handmade impressions onto paper, and learning the possibilities of garment printing.\u003c\/p\u003e\n\u003ch2\u003eWorkshop Schedule (4 Hours)\u003c\/h2\u003e\n\u003ch3\u003ePhase 1: History, Tools \u0026amp; Design Transfer\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eLearning about linocut history, what linoleum is, and the essential tools used in relief printing.\u003c\/li\u003e\n\u003cli\u003eDrawing simple patterns directly on the block or using transfer paper to move 4x6 sketches onto linoleum.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003ePhase 2: Safe Carving \u0026amp; Gouge Techniques\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDemonstrating V-tools, U-tools, and proper cutting techniques to carve out designs carefully.\u003c\/li\u003e\n\u003cli\u003eHands-on carving practice utilizing bench hooks to keep hands safe behind cutting edges.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003ePhase 3: Block Refinement \u0026amp; Proofing\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eClearing background space, refining line work, and adding texture to carved blocks.\u003c\/li\u003e\n\u003cli\u003ePreparing blocks for inking and pulling test proofs to check line clarity.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003ePhase 4: Inking, Paper Printing \u0026amp; Garment Demo\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eRolling out water-based relief ink with brayers and hand-printing impressions onto fine art paper.\u003c\/li\u003e\n\u003cli\u003eDemonstrating how linoleum blocks can be printed onto garments and fabrics.\u003c\/li\u003e\n\u003cli\u003eReviewing finished work and drying your custom handmade prints.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBy The End Of This Workshop, You Will\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eUnderstand the essential tools needed to create a linocut relief print.\u003c\/li\u003e\n\u003cli\u003eLearn how to draw and properly transfer designs onto a linoleum block.\u003c\/li\u003e\n\u003cli\u003eUnderstand how to carefully control gouges and marking tools for safe carving.\u003c\/li\u003e\n\u003cli\u003eCreate your own custom print carved by your own hands and explore garment printing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat We Provide\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCarving Tools \u0026amp; Safety:\u003c\/strong\u003e Linoleum blocks, carving gouges, and wooden bench hooks.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInks \u0026amp; Media:\u003c\/strong\u003e Water-based relief inks, brayers, inking plates, fine art paper, and baren tools.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFacilities:\u003c\/strong\u003e Full studio access and clean printmaking stations.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat To Bring \u0026amp; Requirements\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSketch or Reference (Optional):\u003c\/strong\u003e Bring an optional pre-drawn 4x6-inch sketch or reference image, or draw something new during class.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eApparel:\u003c\/strong\u003e Wear clothes and shoes that can handle ink.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNo Experience Required:\u003c\/strong\u003e Open to beginners aged 14 and up.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eEvent Details\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDates:\u003c\/strong\u003e Saturday afternoons starting Sept 26th\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e 1 single session (4 hours)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLocation:\u003c\/strong\u003e Urban Art Collective Art Hub, 50 Bayswater Avenue, Ottawa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInstructor:\u003c\/strong\u003e Kess Gregory (\u003ca href=\"https:\/\/www.doomandgloomdesign.com\/about\"\u003eDoom and Gloom\u003c\/a\u003e)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLevel \u0026amp; Audience:\u003c\/strong\u003e Beginner (Aged 14+ and adults wanting to create custom carved prints from scratch).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Capacity:\u003c\/strong\u003e 12 attendees\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMinimum Enrolment:\u003c\/strong\u003e 6 attendees required\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kessya Gregory","offers":[{"title":"Default Title","offer_id":43243509055697,"sku":null,"price":120.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0594\/9711\/9953\/files\/UACLearnLogowebsquare.jpg?v=1786112009"}],"url":"https:\/\/urbanartcollective.ca\/collections\/painting-folk-art-copy.oembed?page=2","provider":"Urban Art Collective","version":"1.0","type":"link"}